There was a creek beside our house, and a bit of forest, and
a path. We called the whole place the creek path. It wasn’t big – razed and paved, it
wouldn’t have fit more than a couple rows of townhouses – but it could feel endless.
The trick was to find spots where the wrong things
(telephone wires, the aluminium siding of Mr. Harris’s garage) did not have to be cropped out of the view.
There was already so much to edit out: the looming house that was my home, the angry
grandparents inside, parents gone so long they could never come back, even after they
came back.
In the right spots, I could believe I was in the wilderness of
children’s books, that bountiful wildness in which streams run clear and cold, foxes
pass by shelters, and children can fend for themselves.
One year in university, I lived in a thicket of high-rises
overlooking a plain of strip malls. In between the high-rises and the campus
was a wide leafy gully through which a creek and a path meandered. I roamed
around down there, my head full of the Wordsworth and Coleridge. I envied them
their vast Lake District, their glades and deep glens where the eye
would not have to crop out municipal signposts or hydro poles.
Then I went to Bhutan, where it was easy to step off the
road and see nothing but trees and mountaintops, hear only birds and the
wind in the grasses. I walked up to peaks and looked down into valleys and there
was nothing I wanted to delete from the view. But there were still things to be
edited out: from the south came news of uprisings, stories of imprisonment,
rumours of deportation. Ancestral voices
prophesying war.
There is always something to be edited out.
Walking in Toronto’s green ravines now, I want to erase
the city from the edges of my view, silence the whine of traffic and
leaf-blowers. I always feel a small sadness
when I emerge from a ravine onto a sidewalk: all creek paths end in pavement.
It’s deep-rooted, this desire to be in the woods, but maybe
it’s more than nostalgia for the friendly forests of my childhood.
Maybe it’s a 10,000-year-old longing to return to our home
in the wild.
More likely, it’s a most recent wish -- for the world not to
be as crowded, hot, or small as it is, a wish to believe we have not ruined it,
after all.
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